SUMI

京都 · 紙と墨の工房 Kyōto · est. 1873

SUMI

A paper & ink atelier on Teramachi-dōri. Five generations of pine soot, hide glue, winter goat hair and mountain kōzo — for calligraphers, conservators, and anyone who still writes slowly.

Shizukesa o suru — “to grind the silence.”

余白Yohaku — the margin

Most of a written page is not writing. When a customer unrolls a finished scroll in our front room, nine parts in ten of what they see is paper — the breath around the characters, the pause the eye rests in. We make materials for that pause.

So the ink must dry matte, not glossy, or it argues with the emptiness beside it. The paper must hold a fibre’s shadow. The brush must be able to end a line the way a bell stops ringing — gradually, and exactly once.

What the brush does not touch is still written.

The making of an ink stick

  1. 採煙 Saien · gathering soot

    Old pine roots burn in clay kilns for nine nights each autumn. Two hundred porcelain cups sit in the smoke and are wiped by hand every half hour; a full night of fire yields sixty grams of soot fine enough to pass through silk.

  2. 練り Neri · kneading

    The soot is folded into warm nikawa — hide glue — with a few drops of clove water against the years. The master treads and palms each batch three hundred times, then presses it into pear-wood molds carved for the house in 1921.

  3. 寝かせ Nekase · the long sleep

    A fresh stick dried quickly will crack in a winter. Ours rest buried in paulownia ash for forty days, then hang in rice-straw braids under the north eaves for three more years. We sell nothing younger.

九夜 nights of fire 三百 folds of the paste 三年 years of rest

Three objects

Made to order · three to eight weeks · wrapped in yesterday’s practice sheets · ships from Kyōto.

署名A note from the fifth master

A customer once asked me for an ink that would not fade for four hundred years. I told him I could not promise the ink — only the soot, the glue, and the years we give a stick before it leaves the house. He thought about this and ordered twelve.

His letters will outlive us both. That is the whole ambition of this address.

杉本硯水

Sugimoto Kensui fifth master · licensed 1977

Visit the atelier

Address

SUMI

487-2 Teramachi-dōri, Kamigyō-ku
Kyōto 602-0871, Japan

Hours

Thursday — Monday, 10:00–17:00
Closed Tuesdays, Wednesdays,
and the first week of August.

The grinding room

Four guests by appointment. One hour:
water, stone, one stick of ink.
tegami@sumi-kyoto.jp · 075-231-4708